TC editor Hannah Whitaker installing the 44 vinyl adhesive prints of her new show, Limonene.
Sneak peek of Limonene. Miami folks: Come to the opening tomorrow night at Locust Projects!
Triple Canopy editor Hannah Whitaker’s show “Limonene” opens at Locust Projects in Miami on Saturday. She’ll be there to answer your questions about light leaks, found objects, and artificial citrus scents.
Richard Mosse, “Platon,” North Kivu, Eastern Congo, 2012.
Artist Richard Mosse will represent Ireland at the 2013 Venice Bienniale. Read Mary Walling Blackburn on Mosse in “The Flash Made Flesh,” published in Triple Canopy Issue 11: Walling Blackburn writes: Mosse “disorders the aesthetics of conflict. None of these civilians and soldiers, ensnared in a decades-long civil conflict, really dwell in the camps of fuchsia woods and salmon-colored grasses. What ethical dimension does the visual suspension of the real take?”
Source: irelandvenice.ie
Hear photographer Daniel Gordon read from Kobo Abe’s The Face of Another, as part of Triple Canopy’s “Lines of Sight” program.
Modified still from Hiroshi Teshigahara’s “The Face of Another” (1966).
“Ghosts in the Machines,” in MIT Technology Review. “Bethlehem Steel, once a symbol of American industry, went bankrupt in 2001. These photos help us imagine its glory days.” By Emily Singer; photographs by Jeremy Blakeslee.
Sam Falls, Life Size, 2012.
“I had just seen films by Kubrick and Scorsese for the first time and wanted to create my own gangster and war narratives. My family was readily available so it was natural to include them.”
—Brian Zanisnik, “Baseball Card as Madeline”
Above: Brian Zanisnik, “P.O. Fontanez,” 2012
Zanisnik’s solo show “The Ineluctable Modality” will open Friday, November 9 at Aspect Ratio in Chicago.
Zanisnik’s “Beyond Passaic” was featured in Triple Canopy’s Issue 15. Christine Smallwood discusses his project in “Return to the Meadowlands.”
“Together we make dreams come true”
Zoe Strauss, Billboard 8, 2012
Paul Trevor, Riot, Notting Hill, London 1978 (from David Mellor, No Such Thing As Society) (via grupaok)
Another from The Public Domain Review:
From 1913, John Alfred Charlton Deas, a former curator at Sunderland Museum, organised several handling sessions for the blind, first offering an invitation to the children from the Sunderland Council Blind School, to handle a few of the collections. They were so successful that Deas went on to develop and arrange a course of regular handling sessions, extending the invitations to blind adults.
Read Ben Tiven’s “Distant Objects Becoming Near,” translations of a building built originally for the blind, in Triple Canopy Issue 16.
Source: publicdomainreview.org
Page 1 of 10
