Francesco Clemente, Under the Hat, 1978
(via cavetocanvas)
Source: cavetocanvas.com
Beth Hoeckel, Grasp.
Akira Beard, from “Made in America, by an American for all Americans.”
Source: akirabeard.com
Murad Khan Mumtaz and Alyssa Phoebus Mumtaz’s deconstructed and manipulated passports, published in “Origin, Departure,” in Triple Canopy Issue 13.
Mumtaz’s recent series “Return,” revisits the Pakistani art of miniature painting. Mumtaz speaks with Holly Stanton about indigenous materials and sacred geometries, from the seal of Solomon to the landscape of the American Southwest.
Source: canopycanopycanopy.com
The “recent practices of transitive painting are complemented by a contemporaneous engagement with the diagram…a figurative element…submerged in a field of gestural vectors.”—David Joselit on Amy Sillman in ”Painting Beside Itself”
Above:Amy Sillman, Window, 2009.
Source: canopycanopycanopy.com
Untitled (Surf Drawings), masking tape and collage on paper, by Ann Pibal
Pibal will be talking about paintings + poems with Rebecca Wolff at Triple Canopy this weekend.
Source: sldistin
Join Triple Canopy on Saturday, March 24 for As Is/So Is, an evening of readings and conversation on and along lyric and chromatic lines. Poet, novelist, and publisher Rebecca Wolff will discuss the work of painter Ann Pibal, who in turn will discuss Wolff’s poems, moderated by Triple Canopy senior editor Lucy Ives.
155 Freeman St., Brooklyn NY. March 24, 2012. 7 p.m., free admission.
Above: Ann Pibal, GNLS, 2011, acrylic on aluminum panel.
Source: canopycanopycanopy.com
