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Windows, doors, airport gates, and other thresholds are those transparent devices that achieve more the less they do: for every moment of virtuosic immersion and connectivity, for every moment of volumetric delivery, of inopacity, the threshold becomes one notch more invisible, one notch more inoperable. As technology, the more a dioptric device erases the traces of its own functioning (in actually delivering the thing represented beyond), the more it succeeds in its functional mandate; yet this very achievement undercuts the ultimate goal: the more intuitive a device becomes, the more it risks falling out of media altogether, becoming as naturalized as air or as common as dirt. To succeed, then, is at best self-deception and at worst self-annihilation. One must work hard to cast the glow of unwork. Operability engenders inoperability.

Alexander Galloway, from “The Unworkable Interface”

Hear him speak on the topic on October 23, at 7:30pm, at 155 Freeman St, Brooklyn, NY. Co-presented by Light Industry and Triple Canopy. 

    • #galloway
    • #triple canopy
    • #light industry
    • #interface
    • #internet
    • #theory
    • #events
    • #lit
  • 7 months ago
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The Interface Effect, a lecture by Alexander R. Galloway
Interfaces are back, or perhaps they never left. The familiar Socratic conceit from the Phaedrus, of communication as the process of writing directly on the soul of the other, has returned to center stage in today’s discussions of culture and media. Indeed Western thought has long construed media as a grand choice between two kinds of interfaces. Following the optimistic path, media seamlessly interface self and other in a transparent and immediate connection. But following the pessimistic path, media are the obstacles to direct communion, disintegrating self and other into misunderstanding and contradiction. In other words, media interfaces are either clear or complicated, either beautiful or deceptive, either already known or endlessly interpretable… . more
Tuesday, October 23, 2012 at 7:30pm155 Freeman Street, Brooklyn
Co-presented by Light Industry and Triple Canopy
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The Interface Effect, a lecture by Alexander R. Galloway

Interfaces are back, or perhaps they never left. The familiar Socratic conceit from the Phaedrus, of communication as the process of writing directly on the soul of the other, has returned to center stage in today’s discussions of culture and media. Indeed Western thought has long construed media as a grand choice between two kinds of interfaces. Following the optimistic path, media seamlessly interface self and other in a transparent and immediate connection. But following the pessimistic path, media are the obstacles to direct communion, disintegrating self and other into misunderstanding and contradiction. In other words, media interfaces are either clear or complicated, either beautiful or deceptive, either already known or endlessly interpretable… . more

Tuesday, October 23, 2012 at 7:30pm
155 Freeman Street, Brooklyn

Co-presented by Light Industry and Triple Canopy

    • #aesthetics
    • #events
    • #lectures
    • #materiality
    • #triple canopy
    • #light industry
    • #galloway
    • #internet
  • 7 months ago
  • 5
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Chris Marker memorial, discovered in front of 155 Freeman Street, Greenpoint, this morning. JOIN US TODAY, for Light Industry’s “For Chris Marker”:
As a tribute to Chris Marker, who passed away last month, Light Industry is hosting a free, all-day screening of his films, with introductory remarks and remembrances by Paul Chan, Thomas Keenan, Tom McDonough, Molly Nesbit, Martha Rosler, Jason Simon, and Amy Taubin, among others.
10amCollaborations with Alain ResnaisStatues Also Die, digital projection, 1953, 30 minsAll the Memory of the World, digital projection, 1955, 22 minsIntroduced by Tom McDonough11:15amSans soleil, 16mm, 1982, 100 minsIntroduced by Amy Taubin1:15pmLa Jetée, 16mm, 1962, 28 minsIntroduced by Molly Nesbit2pmLe Joli mai, digital projection, 1963, 165 minsIntroduced by Jason Simon5pmA Grin Without a Cat, digital projection, 1977, 180 minsIntroduced by Thomas Keenan8:15pmLetter from Siberia, digital projection, 1957, 62 minsIntroduced by Martha Rosler9:45pmThe Last Bolshevik, digital projection, 1992, 120 minsIntroduced by Paul ChanMidnightThe Case of the Grinning Cat, digital projection, 2004, 58 minsAll shows are free. Seating is available on a first-come, first-served basis. Doors open at 9am. Marker’s 1997 CD-Rom project Immemory and a selection of materials related to his work—posters, books—will be on view in Light Industry’s office before and after screenings.Special thanks to Icarus Films, Institut Francais, and New Yorker Films.
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Chris Marker memorial, discovered in front of 155 Freeman Street, Greenpoint, this morning. JOIN US TODAY, for Light Industry’s “For Chris Marker”:

As a tribute to Chris Marker, who passed away last month, Light Industry is hosting a free, all-day screening of his films, with introductory remarks and remembrances by Paul Chan, Thomas Keenan, Tom McDonough, Molly Nesbit, Martha Rosler, Jason Simon, and Amy Taubin, among others.

10am
Collaborations with Alain Resnais
Statues Also Die, digital projection, 1953, 30 mins
All the Memory of the World, digital projection, 1955, 22 mins
Introduced by Tom McDonough

11:15am
Sans soleil, 16mm, 1982, 100 mins
Introduced by Amy Taubin

1:15pm
La Jetée, 16mm, 1962, 28 mins
Introduced by Molly Nesbit

2pm
Le Joli mai, digital projection, 1963, 165 mins
Introduced by Jason Simon

5pm
A Grin Without a Cat, digital projection, 1977, 180 mins
Introduced by Thomas Keenan

8:15pm
Letter from Siberia, digital projection, 1957, 62 mins
Introduced by Martha Rosler

9:45pm
The Last Bolshevik, digital projection, 1992, 120 mins
Introduced by Paul Chan

Midnight
The Case of the Grinning Cat, digital projection, 2004, 58 mins

All shows are free. Seating is available on a first-come, first-served basis. Doors open at 9am. Marker’s 1997 CD-Rom project Immemory and a selection of materials related to his work—posters, books—will be on view in Light Industry’s office before and after screenings.

Special thanks to Icarus Films, Institut Francais, and New Yorker Films.

Source: lightindustry.org

    • #chris marker
    • #light industry
    • #155 Freeman
    • #film
  • 8 months ago
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Our beloved roommates, venue for film and electronic art Light Industry, have joined Tumblr: http://lightindustrylightindustry.tumblr.com/
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Our beloved roommates, venue for film and electronic art Light Industry, have joined Tumblr: http://lightindustrylightindustry.tumblr.com/

    • #light industry
    • #film
    • #experimental film
    • #art
    • #new media
    • #ed halter
    • #thomas beard
  • 1 year ago > lightindustrylightindustry
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This weekend: Triple Canopy—with roommates Light Industry, a venue for film and electronic art, and The Public School New York, an open-source classroom—will open the doors to our new home, 155 Freeman, in Greenpoint, Brooklyn. (Remember this?)
Look for David Horvitz’s neon sculpture in the window! 
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This weekend: Triple Canopy—with roommates Light Industry, a venue for film and electronic art, and The Public School New York, an open-source classroom—will open the doors to our new home, 155 Freeman, in Greenpoint, Brooklyn. (Remember this?)

Look for David Horvitz’s neon sculpture in the window! 

Source: 155freeman.info

    • #Triple Canopy
    • #Light Industry
    • #The Public School
    • #155 Freeman
    • #David Horvitz
    • #alternative art space
    • #art
    • #lit
    • #film
    • #workshops
  • 1 year ago
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About

Triple Canopy is an online magazine, workspace, and platform for editorial and curatorial activities. Working collaboratively with writers, artists, and researchers, Triple Canopy facilitates projects that engage the Internet’s specific characteristics as a public forum and as a medium, one with its own evolving practices of reading and viewing, economies of attention, and modes of interaction. In doing so, Triple Canopy is charting an expanded field of publication, drawing on the history of print culture while acting as a hub for the exploration of emerging forms and the public spaces constituted around them. Triple Canopy is a nonprofit 501(c)3 organization.

http://canopycanopycanopy.com/

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