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nypl:

This is a magic lantern slide (fore-runner to the photo slide carousel and Powerpoint) from a 1918 presentation about the library. Over 9.6 million items were circulated by the NYPL that year! (It’s almost three times that today.)
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nypl:

This is a magic lantern slide (fore-runner to the photo slide carousel and Powerpoint) from a 1918 presentation about the library. Over 9.6 million items were circulated by the NYPL that year! (It’s almost three times that today.)

Source: nypl

    • #library
    • #nypl
    • #lit
  • 3 months ago > nypl
  • 82
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“What We Do Is Secret”—Bikini Kill set list, 1991.
The Fales Library at NYU has a new Riot Grrrl archive including correspondence, artwork, journals, audio, clippings, and fliers. From the Rebecca Albee Collection: Box 1, Folder 11: Resume, Rent Receipts, To Do List. Box 1, Folder 12: Papers and Items from Bowling Bag. Box 4: Blue and white Bowling Bag.
Contact fales.library@nyu.edu for a viewing appointment.
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“What We Do Is Secret”—Bikini Kill set list, 1991.

The Fales Library at NYU has a new Riot Grrrl archive including correspondence, artwork, journals, audio, clippings, and fliers. From the Rebecca Albee Collection: Box 1, Folder 11: Resume, Rent Receipts, To Do List. Box 1, Folder 12: Papers and Items from Bowling Bag. Box 4: Blue and white Bowling Bag.

Contact fales.library@nyu.edu for a viewing appointment.

Source: nyu.edu

    • #Archive
    • #Riot grrrl
    • #feminism
    • #library
    • #music
    • #punk activism
  • 4 months ago
  • 26
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Created with NYPL’s new Stereogranimator, which lets users create .gifs out of the library’s archive of over 40,000 19th century stereoscopic images.
“Photographers around the world produced millions of stereoscopic views between 1850 and 1930…Around the world, independent and entrepreneurial photographers broke into the growing market for illustrations of all types of subjects: local history and events, grand landscapes, foreign monuments, charming genre scenes, portraits of notables and urban architecture. War and disasters such as floods, fires, train-wrecks, and earthquakes were enormously popular subjects.”—NYPL
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Created with NYPL’s new Stereogranimator, which lets users create .gifs out of the library’s archive of over 40,000 19th century stereoscopic images.

“Photographers around the world produced millions of stereoscopic views between 1850 and 1930…Around the world, independent and entrepreneurial photographers broke into the growing market for illustrations of all types of subjects: local history and events, grand landscapes, foreign monuments, charming genre scenes, portraits of notables and urban architecture. War and disasters such as floods, fires, train-wrecks, and earthquakes were enormously popular subjects.”—NYPL

Source: stereo.nypl.org

    • #gif
    • #library
    • #stereoscope
    • #vintage
    • #archive
  • 4 months ago
  • 29
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Our friend David Senior from the MoMA Library just starting Tumblr-ing on the “life and times” behind the scenes at the library. In February and March, join Triple Canopy at Print Studio for discussions at the MoMA Library about the nature of publication, and participate in the creation of a publication derived from those discussions. (Image: Veneer. No. 05. Photograph by Flint Jamison. One of the “Millemium Magazines” that will be on display.)
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Our friend David Senior from the MoMA Library just starting Tumblr-ing on the “life and times” behind the scenes at the library. In February and March, join Triple Canopy at Print Studio for discussions at the MoMA Library about the nature of publication, and participate in the creation of a publication derived from those discussions. (Image: Veneer. No. 05. Photograph by Flint Jamison. One of the “Millemium Magazines” that will be on display.)

Source: moma.org

    • #MoMA
    • #library
    • #magazine
    • #publishing
    • #Triple Canopy
    • #Veneer
  • 4 months ago
  • 62
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Dalibor Martinis. Osoba na slici: nije/može biti/je = Person in photo: is not/could be/is Dalibor Martinis. Zagreb: Podroom, 1976.
In each spread of this artist’s book, Martinis paired a photograph of himself (at left) with a blurred photograph (at right). In the space given, he manually traces part of his profile to deduce whether or not the photographs are a match.
The exhibition “Scenes from Zagreb: Artists’ Publications of the New Art Practice,” organized by David Senior, is on display at MoMA Library through February 17, 2012. 
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Dalibor Martinis. Osoba na slici: nije/može biti/je = Person in photo: is not/could be/is Dalibor Martinis. Zagreb: Podroom, 1976.

In each spread of this artist’s book, Martinis paired a photograph of himself (at left) with a blurred photograph (at right). In the space given, he manually traces part of his profile to deduce whether or not the photographs are a match.

The exhibition “Scenes from Zagreb: Artists’ Publications of the New Art Practice,” organized by David Senior, is on display at MoMA Library through February 17, 2012. 

Source: moma.org

    • #David Senior
    • #Zagreb
    • #new art practice
    • #Dalibor Martinis
    • #art
    • #book
    • #library
    • #MoMA
    • #lit
  • 5 months ago
  • 69
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In “Inside the Mundaneum,” Molly Springfield discusses snail-mail Google and a card-catalog Web: a fin-de-siècle Belgian information scientist’s proto-Internet.

see: Triple Canopy’s eighth issue, Hue and Cry

Source: canopycanopycanopy.com

    • #Molly Springfield
    • #Triple Canopy
    • #archive
    • #catalog
    • #information
    • #library
  • 6 months ago
  • 114
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David Bunn, Forgetfulness (discarded catalogue card from the Los Angeles Central Library), 2011.
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David Bunn, Forgetfulness (discarded catalogue card from the Los Angeles Central Library), 2011.

Source: defacedbook

    • #memory
    • #library artifacts
    • #David Bunn
    • #Cabinet
    • #library
  • 7 months ago > defacedbook
  • 258
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About

Triple Canopy is an online magazine, workspace, and platform for editorial and curatorial activities. Working collaboratively with writers, artists, and researchers, Triple Canopy facilitates projects that engage the Internet’s specific characteristics as a public forum and as a medium, one with its own evolving practices of reading and viewing, economies of attention, and modes of interaction. In doing so, Triple Canopy is charting an expanded field of publication, drawing on the history of print culture while acting as a hub for the exploration of emerging forms and the public spaces constituted around them. Triple Canopy is a nonprofit 501(c)3 organization.

http://canopycanopycanopy.com/

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