Rain.
From Niikuni Seiichi’s Post-War Japanese Poetry (Penguin Books, 1972), via flasd.
Source: intheheatherbright
Rain.
From Niikuni Seiichi’s Post-War Japanese Poetry (Penguin Books, 1972), via flasd.
Source: intheheatherbright
Erica Baum, “As it curves near the guide line SING SOFTER,” the player piano roll as poem, from The Melody Indicator, Triple Canopy, issue 16
Corrected Slogans: A Publication in Four Acts begins this Saturday, September 15 at 155 Freeman! This weekend, Triple Canopy will host the first half of Poems for America, a pair of symposia on poetics and conceptual art. Participants for this first symposium include Michael Corris, Aaron Kunin, Margaret Lee, K. Silem Mohammad, Ken Okiishi, Katie Raissian, Gretchen Wagner, and Matvei Yankelevich.
155 Freeman Street, Brooklyn, NY
September 15, 2012
2–6 p.m., $5 for access to all sessions, free for members
Left: Chicken Soup for the Soul Foods (in 2014 to include more than 100 comfort food products in a variety of categories).
Right: Merda D’Artista / Artist’s Shit, Piero Mazoni, 1961.
Sherrie Levine, Fountain (After Marcel Duchamp), 1991. Bronze.
Join us for Triple Canopy’s last session of Miscellaneous Uncatalogued Material, facilitated by poet Ariana Reines. Reines will discuss Flaubert: un cœur simple, an artist’s book printed in 1990 by the appropriation artist Sherrie Levine.
MoMA Print Studio, Wednesday, March 7, 2:30–4 p.m.
Source: canopycanopycanopy.com
Jan Dibbets, Perspective Correction.
(via an-itinerant-poet)
Source: gladstonegallery.com
I really believe in having projects which in fact can’t be carried out, or which are so simple that anyone could work them out. I once made four spots on the map of Holland, without knowing where they were. Then I found out how to get there and went to the place and took a snapshot. Quite stupid. Anybody can do that.
Cube of cheese based on Sol LeWitt’s “Forms Derived From a Cube” (Nicolas Boulard’s Specific Cheeses, 2009). Proposed menu item from Ben Kinmont’s An Exhibition in Your Mouth.
Katie Paterson, Vatnajökull (the sound of), 2008. The neon numbers correspond to a live phone–line, which connects to an underwater microphone in a glacial lagoon in Vatnajökull.
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