Anyone want to attempt the same trick on Adrián Villar Rojas’s concrete amphitheater at MoMA PS1? Tickets are available here. Join Triple Canopy for conversations and lectures about the future, during Expo 1: New York; view the full Speculations schedule here. who-wore-it-better: Julien Blaine Chute des escaliers de la gare St Charles ::  Bas Jan Ader Fall
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Anyone want to attempt the same trick on Adrián Villar Rojas’s concrete amphitheater at MoMA PS1?

Tickets are available here. Join Triple Canopy for conversations and lectures about the future, during Expo 1: New York; view the full Speculations schedule here.

who-wore-it-better:

Julien Blaine Chute des escaliers de la gare St Charles ::  Bas Jan Ader Fall

Like its publisher, Corrected Slogans sidles curiously between print and digital. Its fastidious edits, a vestige, increasingly, of the printed page, lend it the feel of a dog-eared book, removed from the web’s frictionless slick. At the same time, it takes the footnote and subjects it to the logic of the Internet. Its annotations seem beholden to the sort of tangential wandering through sources that Google and its bevy of digitized books enable.
Courtney Fiske review of Triple Canopy’s book, Corrected Slogans, in the Brooklyn Rail.
History Works by B. Wurtz  “History Works,” presented by Triple Canopy and Bureau, consists of three new sculptures, each paired with a photograph that distorts the scale of the object or confounds perspective, echoing the artist’s seminal Photo/Object series.  On view April 14–25, 2013, at Bureau, 127 Henry Street, New York, NY Screening of Wurtz’s early video work anddiscussion with Josh Tonsfeldt and Hannah Whitaker:Wednesday, April 17, 7 p.m., 155 Freeman Street, Brooklyn, NY Late hours and reading by Rachel Levitsky:Sunday, April 21, 6–8 p.m., Bureau  More info here. 
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History Works by B. Wurtz 

“History Works,” presented by Triple Canopy and Bureau, consists of three new sculptures, each paired with a photograph that distorts the scale of the object or confounds perspective, echoing the artist’s seminal Photo/Object series. 

On view April 14–25, 2013, at Bureau, 127 Henry Street, New York, NY

Screening of Wurtz’s early video work and
discussion with Josh Tonsfeldt and Hannah Whitaker:
Wednesday, April 17, 7 p.m., 155 Freeman Street, Brooklyn, NY 

Late hours and reading by Rachel Levitsky:
Sunday, April 21, 6–8 p.m., Bureau 

More info here. 

This world I live in—this isn’t quite how I want to live. I want the time and space to think and read, and to look at and make things; I want unbroken days so I can write with a clear head; to reread your essay, to read myself into it before I edit it. I want to get paid a bit more for a bit less done better, with more care, and I want the same for my friends and strangers. I want to discuss what I’m doing and thinking about with thoughtful people; I want my work to amount to something solid, not scatter out in multitasked busyness. And I know it’s not the Internet’s fault—but where did my day go? Where the hell did the day go? I read a lot of interesting things, they seemed interesting at the time, I can’t quite remember. I have thirteen tabs open, twenty-one, thirty-four, it’s like I’m almost living in my laptop. Is it … the Internet … the Internet … not me … [shakes, collapses, palpating smartphone]
From “Some Assembly Required,” an essay on technology and culture from the editors of Triple Canopy. Read it at Refresh, Triple Canopy’s capital campaign to raise $100,000 in support of TC 3.0.

Refresh is Triple Canopy’s capital campaign to raise $100,000 in support of TC 3.0—our new publication platform that spans time and media, using the Internet to enrich the work of artists and writers and genuinely engage audiences locally and globally. Your support will enable Triple Canopy editors and designers to fully devote themselves to the task of revolutionizing the arts publication for the digital age.

TRIPLE CANOPY IN TEXAS WILL SOUND A LOT LIKE THIS.

On April 9, editor Alexander Provan is on a panel at the Modern Art Museum of Fort Worth; and on April 10, he joins Peter J. Russo and William S. Smith in a classroom at Southern Methodist University.

Above: John Cage playing an amplifed cactus with a feather, via emergentseas.

New York Flyway: Triple Canopy visits Texas for a talk at the Modern Art Museum of Fort Worth and a workshop at Southern Methodist University. land: Maps can show the way birds go when they fly north or south for the season. From How We Use Maps and Globes by Muriel Stanek, 1968 Click through for more illustrations from this lovely book.
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New York Flyway: Triple Canopy visits Texas for a talk at the Modern Art Museum of Fort Worth and a workshop at Southern Methodist University.

land:

Maps can show the way birds go when they fly north or south for the season.

From How We Use Maps and Globes by Muriel Stanek, 1968

Click through for more illustrations from this lovely book.

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