image via: biblioklept Ilya Repin, Reading Aloud, 1878 On October 20, Triple Canopy hosted Automatic Reading, a seminar addressing the act of reading as a part of contemporary artistic practice. Here we present a recording of the seminar, in which Erica Baum, Franklin Bruno, Corina Copp, Jim Fletcher, Ariana Reines, Mónica de la Torre, and R. H. Quaytman discuss of how the legacy of conceptualism has challenged traditional notions of reading both as an exchange between an individual and a text and as a public activation of the written word.
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image via: biblioklept

Ilya Repin, Reading Aloud, 1878

On October 20, Triple Canopy hosted Automatic Reading, a seminar addressing the act of reading as a part of contemporary artistic practice. Here we present a recording of the seminar, in which Erica Baum, Franklin Bruno, Corina Copp, Jim Fletcher, Ariana Reines, Mónica de la Torre, and R. H. Quaytman discuss of how the legacy of conceptualism has challenged traditional notions of reading both as an exchange between an individual and a text and as a public activation of the written word.

Source: canopycanopycanopy.com

The way I’ve put it to my friends is that working on [the translation] was like being made to vomit up my first two books, eat the vomit, vomit again, etc., then pour the mess into ice trays and freeze it, and then pour liquor over the cubes … I don’t know why I’ve been hesitant to say this publicly.
Ariana Reines on the process of translating Tiqqun’s “Preliminary Materials for a Theory of the Young-Girl,” in the current issue of Triple Canopy.

Source: canopycanopycanopy.com

Behind the hypnotized grimaces of official pacification there is a war. We can no longer merely call it economic, or social, or humanitarian. It has become total. By now everyone has felt their existence becoming a battlefield on which neuroses, phobias, somatizations, depression, and anxiety each beat their respective retreats; yet nobody has managed to grasp the meaning of their trajectory or what is really at stake. Paradoxically, it is the total nature of this war—total in its means no less than its ends—that has allowed it to cloak itself in such invisibility.
Tiqqun, from “Preliminary Materials for a Theory of the Young-Girl,” translated by Ariana Reines, in the current issue of Triple Canopy. Tiqqun’s forthcoming book of the same title will be published by Semiotext(e) in June. 
Triple Canopy is proud to announce Miscellaneous Uncatalogued Material, the second publication in our Volume Number series. Volume Number reimagines the magazine as a framework for activities that occur beyond its pages: Each double-sided newsprint page in Miscellaneous Uncatalogued Material holds an annotated version of discussions facilitated by artists Sarah Crowner, David Horvitz and poet Ariana Reines, which occurred at MoMA’s Print Studio as part of Triple Canopy’s discussion series, also called Miscellaneous Uncatalogued Material. Read a dispatch from the series here. Miscellaneous Uncatalogued Material can be yours!
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Triple Canopy is proud to announce Miscellaneous Uncatalogued Material, the second publication in our Volume Number series. Volume Number reimagines the magazine as a framework for activities that occur beyond its pages: Each double-sided newsprint page in Miscellaneous Uncatalogued Material holds an annotated version of discussions facilitated by artists Sarah Crowner, David Horvitz and poet Ariana Reines, which occurred at MoMA’s Print Studio as part of Triple Canopy’s discussion series, also called Miscellaneous Uncatalogued Material. Read a dispatch from the series here.

Miscellaneous Uncatalogued Material can be yours!

Source: canopycanopycanopy.com

Sherrie Levine, Fountain (After Marcel Duchamp), 1991. Bronze. Join us for Triple Canopy’s last session of Miscellaneous Uncatalogued Material, facilitated by poet Ariana Reines. Reines will discuss Flaubert: un cœur simple, an artist’s book printed in 1990 by the appropriation artist Sherrie Levine. MoMA Print Studio, Wednesday, March 7, 2:30–4 p.m.
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Sherrie Levine, Fountain (After Marcel Duchamp), 1991. Bronze.

Join us for Triple Canopy’s last session of Miscellaneous Uncatalogued Material, facilitated by poet Ariana Reines. Reines will discuss Flaubert: un cœur simple, an artist’s book printed in 1990 by the appropriation artist Sherrie Levine.

MoMA Print Studio, Wednesday, March 7, 2:30–4 p.m.

Source: canopycanopycanopy.com

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