Artist Emily Roysdon reading at Triple Canopy’s The Making of Americans event in January.  Columbia University radio station WKCR’s Blair McClendon interviewed Triple Canopy editors Sam Frank, Lucy Ives, and Dan Visel about the annual marathon reading of Gertrude Stein’s novel, which took place in January, and about Triple Canopy’s new book, Corrected Slogans: Reading and Writing Conceptualism. Listen to the interview here.
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Artist Emily Roysdon reading at Triple Canopy’s The Making of Americans event in January. 

Columbia University radio station WKCR’s Blair McClendon interviewed Triple Canopy editors Sam Frank, Lucy Ives, and Dan Visel about the annual marathon reading of Gertrude Stein’s novel, which took place in January, and about Triple Canopy’s new book, Corrected Slogans: Reading and Writing Conceptualism. Listen to the interview here.

On April 12, Triple Canopy organized All A Are Not B, a conversation about diagrams with David Joselit, Susanne Leeb, Prudence Peiffer, and Amy Sillman, which considered the role of transitiveness in contemporary painting; the humorous, mimetic diagrams of Ad Reinhardt; how chance operates in the work of Marcel Duchamp; how the circulation and disposition of images affects the way we relate to them; and how diagrams can draw a line between the body and the machine. Listen to the podcast here. Above: Marcel Duchamp, To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour, 1918.
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On April 12, Triple Canopy organized All A Are Not B, a conversation about diagrams with David Joselit, Susanne Leeb, Prudence Peiffer, and Amy Sillman, which considered the role of transitiveness in contemporary painting; the humorous, mimetic diagrams of Ad Reinhardt; how chance operates in the work of Marcel Duchamp; how the circulation and disposition of images affects the way we relate to them; and how diagrams can draw a line between the body and the machine.

Listen to the podcast here.

Above: Marcel Duchamp, To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour, 1918.

Source: canopycanopycanopy.com

For Triple Canopy’s thirteenth issue, Bad Actors, artist David Levine wrote “Matter of Rothko,” an essay about coming to terms, later in life, with his father’s role in the scandal over Mark Rothko’s estate—and with his failings as a father. In this new podcast, “Abstract Legalism,” Levine tells Triple Canopy’s Anna Altman what he found out about Rothko, his dad, and himself while writing the essay, and what happened after publication: the discovery of new evidence, a brush with the law, the ghosts looking over his shoulder.
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For Triple Canopy’s thirteenth issue, Bad Actors, artist David Levine wrote “Matter of Rothko,” an essay about coming to terms, later in life, with his father’s role in the scandal over Mark Rothko’s estate—and with his failings as a father. In this new podcast, “Abstract Legalism,” Levine tells Triple Canopy’s Anna Altman what he found out about Rothko, his dad, and himself while writing the essay, and what happened after publication: the discovery of new evidence, a brush with the law, the ghosts looking over his shoulder.

Source: canopycanopycanopy.com

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