Left: image from catalogue for the Zastava 101 automobile, 1971. Right: image of Zastava 101 from Mladen Miljanović’s installation Sound of Utopia, 2010. Perfect Strangers: Triple Canopy in Sarajevo! Between June 21 and July 6, Triple Canopy editors will work with five artists and writers from Bosnia on a series of workshops and discussions dealing with idiosyncratic sites, figures, and objects with ambivalent relationships to the region’s traumatic recent history and concurrent forging of national identities. Among them: the Olympic bobsled track turned front-line barricade in the mid-90s; the popular Serbian Zastava 101 automobile; rejuvenated Bosnian black markets; the extra J that transforms a word from Serbian to Bosnian and Croatian; nascent national beverages, fashionable typefaces, suburban mosques, prominent branding campaigns. 
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Left: image from catalogue for the Zastava 101 automobile, 1971. Right: image of Zastava 101 from Mladen Miljanović’s installation Sound of Utopia, 2010.

Perfect Strangers: Triple Canopy in Sarajevo! Between June 21 and July 6, Triple Canopy editors will work with five artists and writers from Bosnia on a series of workshops and discussions dealing with idiosyncratic sites, figures, and objects with ambivalent relationships to the region’s traumatic recent history and concurrent forging of national identities. Among them: the Olympic bobsled track turned front-line barricade in the mid-90s; the popular Serbian Zastava 101 automobile; rejuvenated Bosnian black markets; the extra J that transforms a word from Serbian to Bosnian and Croatian; nascent national beverages, fashionable typefaces, suburban mosques, prominent branding campaigns. 


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