On April 12, Triple Canopy organized All A Are Not B, a conversation about diagrams with David Joselit, Susanne Leeb, Prudence Peiffer, and Amy Sillman, which considered the role of transitiveness in contemporary painting; the humorous, mimetic diagrams of Ad Reinhardt; how chance operates in the work of Marcel Duchamp; how the circulation and disposition of images affects the way we relate to them; and how diagrams can draw a line between the body and the machine. Listen to the podcast here. Above: Marcel Duchamp, To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour, 1918.
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On April 12, Triple Canopy organized All A Are Not B, a conversation about diagrams with David Joselit, Susanne Leeb, Prudence Peiffer, and Amy Sillman, which considered the role of transitiveness in contemporary painting; the humorous, mimetic diagrams of Ad Reinhardt; how chance operates in the work of Marcel Duchamp; how the circulation and disposition of images affects the way we relate to them; and how diagrams can draw a line between the body and the machine.

Listen to the podcast here.

Above: Marcel Duchamp, To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour, 1918.

Source: canopycanopycanopy.com

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    On April 12, Triple Canopy organized All A Are Not B, a conversation about diagrams with David Joselit, Susanne Leeb,...
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    Marcel Duchamp, To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour, 1918.
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    Marcel Duchamp, To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour, 1918.